Monday, 3 May 2010

Tales round the Campfire


Just back from the Outlore Festival, the third time we storytellers have performed at the Dumnonni Chronicles' largest live action role play / fantasy re-enactment event of the year, set in the idyllic Dark Age settlement of 'Culhaven', deep in Devon countryside, and held at Beltane.
On the way, we looked up warily at the dark grey skies, took against the chill in the cold north wind, and spoke of warm pubs as the rain spat. Arriving at the site however, the van rode over the mud at the entrance (which can be a complete mudbath) with ease. After greeting Dave and Jon and getting kitted out by Dave, we went up to the causeway - but being very muddy, we entered by the back gate instead. At first few people seemed to be about, except warriors preparing for battle, but we told a few tales and after lunch, the wind dropped, the sun came out, the mud dried up and we told Viking tales for delicious ginger cake, around a fine big cauldron full of apple pie! with a courteous clan from Holland and made a healer and her companions laugh a lot, by the central fire, and in return being plied with very warming spicy ginger wine, and a bowl of strawberries... Highlights of the day included visiting the falconer and - following last year's magical encounter with the huge raven on my arm! this time it was the eagle owl. While it stood on other's forearms, I stared at it and someone remarked it seemed to be staring at me too - it's huge blood-orange coloured eyes hypnotised me. And then it was time for it to stand on my arm. What a privilege to have such a large, rare and magnificent wild creature so close. The falconer urged me to stroke it, but I touched it with immense care and not for long, as I know that feathers are very breakable, being designed for flight and air, not contact. I was also grateful that it just alighted onto my arm without any tricky acrobatic turns. It was like a dream, and when it was taken back by the falconer, I was not at all surprised to see the central meeting place filled with acrid green smoke, thick as dried ice! Magic was in the air.
By dusk, we had told many more tales, including round the fire in the atmospheric gloom of the roundhouse, with its shields and horned stag heads, and as the lights were lit and the settlement transformed by many lanterns and candlelight into a faery realm, we made our way into the longhouse to greet and listen to the very fine Goliards. As ever Tracey's drumming thrilling and Lawrence's bagpipes beautiful. The sunset was another star of the festival, with a huge golden sun behind dark trees in the soft dales and hills, with purple cloud and rays of light, then a plume of fiery gold on mauve before it sank, deepening the landscape into May twilight... And finally it was time to go, smoky, muddy, tired, full of images, music, impressions, kind praise and good food and wine...off over the torchlit causeway, and into the night.

Big thanks to Dave and Jon as always for inviting us and organizing such an amazing event, the Goliards, and all who listened to our tales and shared with us the 'sacred laws of hospitality'. The outdoor show season has begun.

Saturday, 17 April 2010

Street Poetry - Random Acts of Art


Just had a great time at the Street Poetry Workshop at the Spacex Gallery, run by the inimitable Liv Torc, and part of the Random Acts of Art project. It was a beautiful day for it, (the sky a literally cloudless blue) and ideal for checking out the nearby streets in search of words.
Having done five years of degrees all told with writing workshops forming some of one and a great deal of the other, and being a workshop host myself, AND being really busy, I don't often actually get to writing or poetry workshops. Which is a pity, because of course, they give one space in order to create that can be really refreshing and a context break away from the way in which one usually ends up working. And so it was!
The aim of the workshop was to write a collaborative poem about and inspired by the West Quarter, the historic and alternative/independent shops area of the city which is home to the Spacex Gallery.
We started off after an exercise involving commenting on each others shoes etc. (i.e. finding words inspired by them) and all trying to be scrupulously polite! with a drama-like exercise/game, all making up characters for each other, as makebelieve residents of the Quarter - and much hilarity and inventiveness ensued, including with a one-eyed glassblower, Roman re-enactor, Somerset settler, bouncer, dodgy gangster overlord and gangster's moll! Short pieces were written about chosen characters, and following that, haikus, some funny, some serious, inspired by the portraits of residents of the Quarter by Lady Lucy, one of the artists in residence for the whole Random Acts of Art project. We then all dispersed to find inspiration and words out of doors, into the West Quarter itself. And how magical that was - because strangely, as both an admirer and sometime practitioner of found text, concrete poetry, site specific text and art and related forms, and someone who loves the West Quarter, it had always been the kind of thing on my 'must do at some point' list. I.e., something I'd love to do, even mean to do, but would never get around to. So it was a real joy to just wander around places like Fore Street, looking in windows, jotting down words from posters or signs, half-catching sentences by passers-by, adverts and cards in windows, menus and labels...and really looking at some of the shop fronts and interiors, really paying attention to the lovely old architecture like that of Tucker's Hall with its fleur de lys railings, and the hidden stream on the other side, down below...absorbing the lively mixture, and so many details I always rush past and mean to make time for but never do. The luxury of legitimately dawdling and going in and out of all the corners and alleys, of spending time in shops I'd always meant to have a look in but hadn't the time to, and all the looking at little things and the delicious finding of random words and phrases that at any other time would be just playing, and almost as out of bounds as getting involved in an addictive computer game! It was seriously fun. I kept bumping into other participants, and we grinned as we crossed each other. So much so that at one point a man stopped me, and asked quite bluntly 'What are you doing? There's loads of you at it.' I explained it was a poetry workshop, and once I'd finished listing the places one could look for words etc., he just said 'Cool!' and walked off. By then I had so many fragments, it was time to get back to the Spacex and choose and order them! Which I did. It took surprizingly little time to order the found texts - a heard sentence, card in window, poster, signs, ads, and they seemed to make the five required sentences in a way I liked. We then wrote them in large letters on big paper strips, and finally Liv decided on an order - the tough job! and stuck them together in a large train like a huge snaky poster. They looked great, as everyone had different writing of course and had chosen different colours (green in my case). Liv then bravely mounted a ladder to stick it to the wall, and then read it aloud with great aplomb. And it sounded really good! Everyone had come up with some excellent sentences, and while all in different styles, it hung together really well, and even had some rhythm. We all had great fun and came up with a piece all were pleased with, with laughs, and much tea, coffee and biscuits too. All in all a really lovely afternoon. And I even met a delightful subscriber to Spoken/Written! - Anna Trussler of the Devon Guild of Craftsmen's Gallery in Bovey Tracey who was kind enough to keep us all in the tea and coffee. Big thanks to Liv for being such a great workshop host, to Anna and all at the Spacex for having us, and to Chris, Kevin and Marcus for being such good fun to work with!

Random Acts of Art Blog;

Monday, 5 April 2010

CCANW Fundraiser

At last it was the day for the Fundraiser we were hosting/organizing for the Centre for Contemporary Art & the Natural World in Haldon Forest Park. It didn't rain, although the perennial battle with wind vs. sticky tape for posters had it's first skirmish of the outdoor gig season...! I got there first to set up the body masks, sculptural figures etc. to draw attention to the performance - so the stage was flanked with the moon, a dragon's head, little green goblins etc., while fellow storyteller Deor went to collect three of the performers...and the sky looked grey and slightly threatening...I then began to arrange the book and CD stall, and was glad to be practiced at weighing things down...all the same, I thought - why is it that I seem to hold so many stalls on windy days when I'm convinced there are lots of perfectly still, calm ones?!?
And then Jon arrived, the PA was set up, and not long after more reinforcements came until we were nearly quorate. Then the benches were laid, Chris from the Centre kindly offered us coffee, and we began! Despite the somewhat overcast sky and chilly wind, it went with a bang - Clive Adams introduced the event, speaking of the Centre's past and funding issues, the Hub as it was (shacks in muddy glade!) and how far it had come...then we introduced our first act, and Liv Torc, Wondermentalist, performance poet, comedian and host of Taking the Mic, wowed the crowd with her customary energy, skill, verve and vitality, every inch the professional, and dealing well with the all ages audience! (not least as a lot of her material is of the adult variety). Catch her as poet-in-residence at Exeter Poetry Festival later in the year. We had Clive Pig the Storyfella - see him at this year's Westcountry Storytelling Festival - who tells stories like a one man movie (his sound effects as ever had to be heard to be believed!) stopping folks in their tracks. He was the one who showed that storytelling could be a total theatre experience, and hence inspired Widsith & Deor! Jon Freeman (of Tyburn Jig - catch them at this year's Festival at the Edge, English Heritage properties and at Storyclub) doing his fine performance poetry, and Jade Moon (former Green Woman act at many festivals on the circuit including being a Glastonbury regular and also fire dancer) with passion and movement and appropriately enough, her themes echoing some of Liv's. James Turner, popular poet and author of the 'Forgeries' collection published by Original Plus, proving beautifully that there need be no divide between 'page and stage' poetry, with wonderfully lyrical and intellectual (I mean that in its absolutely positive sense of thought-provoking) yet accessible, pieces and delivered with his trademark mixture of humanity, wit and emphatic-not-dogmatic wisdom. Music was from Gabriel Collins, prolific songwriter (some three hundred original songs in his repertoire), a pianist who kindly brought his guitar instead as of course the piano wouldn't fit on the train! - And we were lucky enough to have David Sawyer (well known sculptor of sound sculptures and artist as well as musician) and Annie Quicke (also of The Surf Messengers), musicians who often play with/in the fabulous improvisational group Children of the Drone (more festival favourites!). David with one of his handmade original and haunting instruments an 'electrochord' and Annie with flute and saxophone filled the Forest with hauntingly lovely yet experimental ambience, as they made unusual and delicious improvised music. Towards the end, James (who is also often part of the Children of the Drone) did poetry while they played, and the effect was simply hypnotic. Finally - having introduced the acts with a short tale or poem, and done one of our spooky forest stories, the event was coming to a close...when Annie and David offered to round off the day by improvising music to a story! It was an offer we couldn't refuse, so we told one of our trademark tales, 'Lady Mary' (also partly set in a forest) and it was fantastic to perform with the music changing mood to the tempo all around - a wonderful experience to end the day on, and a real high! It was hard to express one's thanks - we love the performing with other artists and the each art flowing into the other experience.

Then it was time for more cake (which we'd brought along for all to share), packing up instruments, books, props and all the rest, congratulating everyone on how well it had gone, talking with Clive Adams and Chris Lewis of the Centre about the afternoon and funding wait, (and of course looking in the collections bucket and wishing it had been warmer!) and them thanking us for putting together such a good show (aww shucks). It was all in all a wonderful afternoon, with a marvellously contrasting array of talents. Huge thanks must go to Clive, Liv, Jon, James, Jade, Annie, David, and Gabriel for being so brilliant and coming along to make it happen, and of course to Clive, Chris and Johanna of CCANW for having us and keeping us in tea and coffee! Fingers crossed for their funding re-application...(I know the feeling)...

Tuesday, 30 March 2010

Helter Skelter

I thought things were hectic before! the CCANW Fundraiser is coming together apace - arranging lifts for some of the great acts we've got to perform, posting on websites, liaising with the Rangers, seeing if we can get some fire dance performance arranged... A festival have e-mailed to confirm a venue for the 'Porlock the Warlock Show' but with queries about show times and workshops; I've been asked very kindly by Alan Summers - Japan Times award winning writer and haiku specialist, to perform at the Launch Party of the Bath Japanese Festival in May, and all this just after perhaps the scariest Edition of Spoken/Written I've yet issued...as it gets split into two come May - into free and premium newsletters so to speak. So the last Edition in this format...but it had to happen sometime I guess, with secure funding running out in July. I would have loved to keep it as one and free or voluntary subs only, but with everyone in the arts tightening their belts right now, it just wasn't possible. I can only hope it works...
It feels like being on some weird fairground ride, whizzing high then low then sideways...I just hope it's more candy floss than throwing up...

Wednesday, 24 March 2010

Highs and Lows in the Arts



So much keeps happening, the highs and lows of working in the arts. On the the former front, today a heap of thank yous arrived from Instow School, with lots of words for sound, and material that appeared to be from a lesson or session where the idea had been run with, and the pupils had written more structured poems as a result, as well as photos including a picture of one pupil holding up his list of 56 words - hopefully with pride! but who likes having their picture taken?! It made one feel that the workshops had gone even a bit better than we'd thought.
This followed hot on the heels of a print copy of 20x20 Magazine arriving - and what a delicious addition to any library of literary magazines it makes. Beautifully produced, in its trademark square format, I was as ever really struck by just how good the work is (and not just because I had a piece in it...).
And these followed on from a great review of the stories we did at the Garden of Awen in February, in Tasty Fanzine! Always nice to be appreciated. Apparently Widsith & Deor 'are genuine entertainers' - well, we do (with some tales anyway!) aim to make people laugh as well as think.
We also got a thank you from the person who booked our 'Temptation and Redemption Show'. And 'Not What One Was - A Brief History of the Concept of Justice' a series of political philosophy short snappy essays on current affairs (Cartwheels Collective Publishing's latest book) is starting to sell.

On the downside, the wonderful Northcott Theatre (Exeter's largest theatre) has gone into administration, incredibly. This is very bad news for the arts in E.Devon, as they not only put on a great range of productions from ballet, opera and conventional theatre to contemporary dance, visual/physical theatre and puppetry, but also have a gallery space, massive outreach in the form of a community company and youth theatre, and too much else to mention. It would be disastrous if they were allowed to close. As well as being a huge blow for Exeter University students as it's a resource for drama students and does cut price tickets for everyone who studies or works there.
And of course there are funding cuts everywhere. We storytellers are organizing a fundraising gig in aid of the Centre for Contemporary Art in the Natural World (CCANW) at Haldon Forest Park over Easter, as they, like Spoken/Written, had to resubmit a funding application, and were set the unenviable challenge of raising £20,000 in two months.
Moreover Spoken/Written will, in all likelihood have to split into two with the larger newsletter becoming a paying only service in early summer, as of course, it has only been given funding until the end of July. Shoestrings are getting thinner, and more organizations, groups and artists are having to exist on them. Here's to a spirit of rising to the challenge - it's the only attitude that will keep the arts sector afloat in difficult times.

Check out; 20x20 Magazine

Tasty Fanzine

'Not What One Was' at Cartwheels Collective Publishing's Webshop

Fundraiser for CCANW
Centre for Contemporary Art in the Natural World

Wednesday, 17 March 2010

Science of Sound Week & a New Show

At last the weather has got warmer, and what better week to be travelling down to Middlesex to do our 'Temptation & Redemption Show' for Lent? The show went well, the hall packed, and many kind comments left in the comments book, and a couple of good friends turned up, but all just the day after a long journey - with a very winding diversion! so taking much longer than it should - and parting with a fellow member of the Collective, as they were off to Nepal for three months to do environmental community projects such as eco-gardens... We had swapped news, filled in masses of detail to one another about our respective artforms and arts scenes in respective counties...and then said goodbye. The day after was spent networking at a social gathering, and then it was back to the West Country and off to N.Devon for some Sound and Writing and Storytelling by Noise Workshops for Science of Sound Week! Which went brilliantly. The children seemed completely engaged and enjoyed the one on noises immensely - without it devolving into a mass of farmyard impressions as might have been feared! My own workshop on Words for Sound went really well, too - we played them sounds, noises and soundscapes, and they really got the hang of it. Two came up with wonderful scenes as settings for the sounds, good enough for film or poetry. One managed to describe what it was about the music that evoked a feeling of x, y or z - which was by far the most advanced point I wanted the workshop to make, and not something I thought we'd cover with the age group in question. And at the end, two boys came up and said they'd listed 184 and 153 words for sound respectively - now that, I think, really is a result! The teachers were pleased, their classroom teacher wanted to use the material for further teaching, the head was there for part of it and was charming, and Yolande as ever made us feel we knew where everything was in no time. Instow School is a school with limited space, but because everyone is piled up together, it means they really have to get on! And so there was the most amazingly friendly air of co-operation and goodwill between teachers, children, catering and admin staff, and the most relaxed head teacher, we'd ever encountered! And who needs more space when you're set on the side of a hill with a ruined windmill to explore just above, and magnificent views of estuary, sea and coastline all around? What a fantastic place. The staff room was laden with chocolates and biscuits as a thank you to all who came in to work during Science of Sound Week, so that made for a homely welcome too. We had tea with Yolande afterwards, and discussed the rest of the Week's events, the ever-present ongoing funding situations which were all too similar, and generally caught up.

Afterwards we had to go up the hill and see the ruined windmill on its wonderful vantage point (on only about the fourth or fifth day one could wear a jacket out of doors instead of a fleece!). It was a lovely atmospheric cylinder of stone, with tiny 'windows' and no roof, commanding a fine panorama of coastal seascapes. And then it was on to another part of the estuary, to have dinner with some newer members of the Collective - a delightful evening, and especially as Andi has been booked to make mosiacs on the beach during Appledore Visual Arts Festival, and Mandy had very kindly made me a gonfalon for the shows! I took pictures of her wool dyeing and spinning wheel for the website, and we talked until at last it was time to go. A very full five days it had been too.

Big thanks to Andi and Mandy, to Yolande for having us again and booking us to work in such nice places with such lovely people! To all the workshop participants who did so well, and the teachers of Instow Community School, especially Mark Gough the head teacher for hosting us.

Monday, 1 March 2010

To ISBN or not to ISBN?

Previously, everybody who published a book thought of ISBNs as a must have. For a start, before the copyright libraries got totally overwhelmed with works (some drivel, and others so poorly made that they needed to be held up with an elastic band), bookshops only stocked titles that had them. Now however, sure Waterstones will only stock them if you have one. But who buys books that aren't travel guides or the latest t.v. promotion, 'celebrity' ghost-written books or recipe books in Waterstones? Most of the independent or smaller bookshops are increasingly hard to find and hard pushed. Certainly some famous ones strong on a certain type of book (radical, poetry, cookbooks or whatever) survive, but tend to be specialists. A friend of mine has published many books, and stocks them in Waterstones, where they only ever shift if he holds a signing or related event.
Also, what guarantee have you got that the big retailers will stock (never mind sell) them when you have to badger their distributor first, and they may turn you down anyway?
People say you have to have an ISBN to be stocked on Amazon. This is true, but how many small press publications have you bought from Amazon lately? And what of the cut they take? True they stock obscure and wonderful books you can't get elsewhere, but most of those I buy, for instance, tend to be by authors known in classic circles, like Cocteau, or Kandinsky. And if I do want to buy a poetry book by a fine author whose collection isn't in the mass media's narrow circles a lot, (say James Turner's 'Forgeries') then I already know enough of either author or publisher to contact them directly to buy my copy knowing that they'll get more of the money than if I'd gone through Amazon!
If someone's heard of The Books of...Trilogy, it would be surprising if they also didn't know of either my name or that of the Cartwheels Collective & Publishing arm. Anyone looking up 'Porlock the Warlock' on Google should get the Cartwheels Collective website and hence Webshop. Why bother with Amazon? The same goes for Barnes & Noble.

Most people don't need the 10 ISBNs you have to buy for £110 plus £18 postage. In their dreams they might, but other friends of mine who have bought 10, they have helped sell no copies at all and they've only ever used one. Cartwheels Collective Publishing has eight titles out (well, the last one will be available in a couple of weeks) and two more in the pipeline. It was at this point that we were always going to review editorial policy as to ISBNs. We've thought about it and rejected it - indeed my co-editor is at this moment writing a piece about the decision on the Cartwheels Collective Publishing google site.
People have got to hear about your work (and it should be work) because of your efforts. ISBNs are not a magic bullet to help shift copies. Once sales are comfortably at the next level, then they will have been issued along the way - when to bother will be self-evident. But starting selling books in limited editions, and the way you get people to know about them is at events, small mags, recommendations, word of mouth and via the web - including (see the last post) tools like Facebook. Never ever expect ornamental accessories from a vanished past like the ISBN (and when it did make a book stand out simply because there were less of them) to do the work for you.

Since ISBNs have effectively been privatized (they are now run by Nielson Book Data), it has become about making money out of book publishers and authors not for book publishers and authors. Hence the end decision of CCP's editorial board not to have them.

An independent publisher with an explicit 'no ISBN' policy is Magic Realms Publications. Check out their well argued case at;
If ISBNs have done you any favours, I would love to hear from you! Either via comments below or by e-mailing.

Works referred to;
James Turner's 'Forgeries'

The Books of...Trilogy;